Robyn Kanner

Director Hlynur Pálmason wanted to make a new family film. So in The Love That Remains, he featured some of his own.

Speaking with director Joachim Trier about his awards season darling Sentimental Value

A crime movie about a guy who can’t charm his way out of trouble.

Talking to director Brady Corbet on how he constructed The Brutalist, a 3.5-hour saga and now a major awards contender

Joshua Oppenheimer’s ‘The End’ is a musical about wicked people. But it’s very different from ‘Wicked.’

The director of Anora talks about representing sex work onscreen and how sticking the landing of a film means thinking about it first.

Director Bertrand Bonello tells us how his new film confronts the past, present, and future

The director of Monster talks about the complexities (and simplicities) of portraying multiple points of view